It was a bold color choice for the clients, but added a splash of fun to the subdued and more sophisticated neighboring cabinets and countertops next door. “This way, they can have a long table when needed without trapping anyone or separate the tables for an intimate dinner with their family of four.”Ī quaint bar area in an orange-y red connects the dining area to the kitchen. We were concerned about that poor person sitting in the back left corner needing to pee,” Whitney Parris-Lamb adds. “Plus it sits nicely with the wild backyard.” To soften the modern feel of the banquette and play off the wallpaper, the design duo crafted a custom organically-shaped table made in two parts. “It feels a little more casual this way, a little more youthful and playful,” firm cofounder Amanda Jesse says. Jesse Parris-Lamb went one step further to bring the al fresco charm indoors, adding handwoven custom silk wallpaper adorned with a series of wildflowers. “ a subtle nod to the era in which the house was built, and helps create a seamless transition between the dining room and the adjacent garden.” “The window was inspired by the observation windows found on 20th-century passenger trains,” Christopher Devine of Brooklyn Studio shares. Originally a long, dimly-lit space, Brooklyn Studio transformed the area into a lofty nook connected to the outdoors by adding a wrap-around window which now peers into the lush greenery of the garden. This is beautifully exemplified in the dining area, tucked into the back corner of the house on the ground floor. The final result? A delicate balance of new and old that goes onto characterize the home. Brooklyn–based design firm Jesse Parris-Lamb perfectly complemented the modernized structure through color, pattern, custom furnishings, and a range of antiques. For Brooklyn Studio this meant the opportunity to bring in loads of light with the addition of glass walls and curved windows that brighten up the house for a young family of four. The loophole? The back of the buildings, where architects more or less have free rein to put a modern spin on these historic structures. Due to landmark regulations, the façade must remain relatively untouched. Supposing that there is no curvature with an angle of 90° or more, we can assign to each point of the green sheet one point on the blue sheet, so that we get flat coordinates.It’s tricky to completely transform a Neo-Federalist-style Brooklyn town house. We represent this zone by a sort of stamped plastic sheet (the blue sheet), and we place it upon the green flat sheet of paper. Gravitation acts all over the universe, but we consider only a zone on the border of which curvature is infinitesimally small because of the absence of mass near the border. Lets start with an isolated group of mass objects. I tried here a little proof of the possibility to reduce any curved space to flat space (for simplification I consider 2D space instead of 3D space, but it might also work for 3D space): Is the Wikipedia article "curved space" talking about curved space or about curved spacetime? As far as I know gravity is curving spacetime, not space. Gravity is often visualized as curved space. Curved spaces play an essential role in General Relativity where
0 Comments
Leave a Reply. |